Joyce Campbell is an interdisciplinary artist working in photography, sculpture, film and video installation. Joyce is based in Los Angeles, California and Auckland, New Zealand and is a lecturer at the University of Auckland Elam School of Fine Arts. Joyce’s recent work utilizes anachronistic photographic techniques to examine the collision of natural and cultural systems.
Joyce Campbell has a BFA(1992) from Canterbury University and an MFA with honours(1999) from The University of Auckland. She is represented by McNamara Gallery in Wanganui, New Zealand and Two Rooms in Auckland, New Zealand and has an ongoing exhibiting relationship with G727 in Los Angeles, USA. Joyce is a member of Artists Pension Trust Los Angeles.
http://www.mcnamara.co.nz
http://www.tworooms.org.nz/
http://gallery727losangeles.com
Solo Exhibitions and Collaborations
2007
Antarctica, with Anne Noble and Connie Samaras, curated by Ciara Ennis, Pitzer Galleries, Pitzer College, Claremont CA, USA
LA Botanical, G727, Los Angeles, USA
Tools of Survival, McNamara Gallery, Wanganui, New Zealand
Incheon international Women's Biennalle, Incheon, Korea
2006
LA Botanical, Starkwhite, Auckland, NZ,
Brittle City: Cellars and Towers, Te Manawa, Pamerston North, NZ
Growth and Change, California State University San Marcos, San Marcos CA
2005
Brittle City (With Connie Samaras), Gallery 727, Los Angeles, USA
Cellars and Towers, McNamara Gallery, Wanganui, New Zealand
2004
Deeper Still, Starkwhite gallery, Auckland, New Zealand
2001
Deep Down, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1999
Bloom: A Series of Infiltrations, The George Fraser Gallery, Auckland, New Zealand, Fiat Lux Gallery, Auckland, New Zealand, Triangle Television, New Zealand, www.artspace.org.nz, Area Gallery, Auckland, New Zealand
1998
Hosting (with Michael Harrison), First Floor Gallery, Melbourne, Australia
1997
Hosting (with Michael Harrison), The Physics Room, Christchurch, New Zealand
Fairy Rings, Fiat Lux, Auckland, New Zealand
1996
Touch Lightly, Lopdell House Studio Gallery, Titirangi, New Zealand
Serial, The Concrete Deal, James Smith Council Car Park, Wellington, NZ
Pink bits (with Ann Shelton), The High Street Project Gallery, Christchurch, New Zealand
Five Winters, 23A Gallery, Auckland, New Zealand
1995
Safe, Teststrip, Auckland, New Zealand
Terminal, Artspace, Auckland, New Zealand
1994
Scour, Fisher Gallery, Manukau City, New Zealand
1993
Saving Grace, High Street Project Gallery, Christchurch, New Zealand
1992
Bleach (with Ruth Boyask), High Street Gallery, Christchurch, New Zealand
Sweetness and light (with Saskia Leek), Temporary space, Achilles House, Auckland, New Zealand
Group exhibitions and surveys
2007
Tools of Survival, McNamara Gallery, Wanganui, New Zealand
2007 Incheon International Women Artist's Biennale, Incheon Arts and Cultural Center, Incheon, Korea
Afterimage, Two Rooms, Auckland, New Zealand
Art School 125, Christchurch Art Gallery, Christchurch, New Zealand
Contemporary Landscape Photography, Millard Sheets Art Center, Pomona, USA
Nature (Interupted), 18th street Art Center, Santa Monica, USA
Moving Still, Gus Fisher Gallery, Auckland, NZ
Time Machine, High Energy Constructs, Los Angeles, USA
2006
Visualizing Trans, Kupfer Center in Madison, USA
Artists Who Teach, Sam Francis Gallery, Santa Monica, USA
2005
Faculty Exhibition
Ruth Chandler Williamson Gallery, Scripps College, Claremont, USA
2004
The Garden Lab Experiment, Pasadena, USA
&Ampersand, High Street Project, Christchurch, NZ
2003
Art Where? San Antonio, Texas, USA
Dirty Pixels, Dunedin Public Art Gallery, Dunedin, NZ, Adam Gallery, Wellington, NZ, Waikato Museum of Art and History, Hamilton, NZ
Dead Ringers (with Ann Shelton and Darren Glass), Gus Fisher Gallery, Auckland, New Zealand
Artful Science, Sam Francis Gallery, Santa Monica, USA
2002
The Armory Installational, Armory West, Los Angeles, USA
Dirty Pixels, Artspace, Auckland, NZ
Alternate Routes, UCR/California Museum of Photography, Riverside, USA
Genius Loci, Sci-Arc Gallery/Los Angeles Municipal Art Gallery, Los Angeles, USA
The Contingency of Vision, Te Tuhi - The Mark, Pakuranga, NZ
+64, Kunstlerhaus Bethanien Berlin, Berlin, Germany
The Tomorrow people, Lord Mori Gallery, Los Angeles, California
2001
The Contingency of Vision, The Suter Art Gallery, Nelson, New Zealand
The Tomorrow people, The Physics Room, Christchurch, New Zealand
1999
The Asia Pacific Triennial: Screen Culture Series, Queensland Art Gallery, Brisbane, Australia
MAAP Film Festival, Brisbane, Australia
1998
Leap of Faith: Contemporary New Zealand Art 1998 , Govett-Brewster Art Gallery, New Plymouth, New Zealand
Every Day: The 11th Biennale of Sydney, Gallery of New South Wales, Sydney, Australia
1997
White out, Auckland Art Gallery, Auckland, New Zealand
1996
Drift North, The McDougall Art Annex, Christchurch, New Zealand
1994
Art Now- Site, Body, Sign, Material: A Survey of Contemporary New Zealand Sculpture, The Museum of New Zealand, Wellington, New Zealand
1993
Gaining Interest, Artspace Auckland, New Zealand
1992
Vague/Vogue - New Sculptors/ New Sculpture, C.S.A. Gallery, Christchurch, New Zealand
Light Sensitive, Artspace, Auckland, New Zealand
Public Projects
2000 Drift, Detours Downtown, Side Street Projects, Los Angeles, California
1996Â Â Â Serial, The Concrete Deal, The James Smith Council Car Park, Wellington, New Zealand
1995 Screen, Letting Space, Artspace, Auckland, New Zealand
1993 Constance turning, Window Project, Auckland City Art Gallery, Auckland, New Zealand
Grants and Awards
2007 Recipient, Durfee Foundation ARC Grant
2006 Antarctic Fellow, Antarctica New Zealand/Creative New Zealand Artists to Antarctica Programme
2003 Joint recipient, project grant from Creative New Zealand toward the production of the conference Cultural Provocation: Art, Activism and Social Change
2001 Artist in Residence, The Taranaki Artist in Residence Programme, The Govett-Brewster Art Gallery and the Taranaki Polytechnic Te Kura Matatini o Taranaki.
2000 Co-recipient, Creative New Zealand Project Grant to assist in the presentation of a group exhibition of Contemporary New Zealand art in Los Angeles
1998 Recipient, University of California Inter-campus Arts research Grant.
1997 Recipient: Creative New Zealand Professional Development Grant
1996 Recipient: The Arts Council of New Zealand Project Grant to assist in the development of four new public works
1995 Project Grant: The Arts Council of New Zealand to assist the funding of the Concrete Deal, an artist run project, The James Smith Council Car Park in Central Wellington
1992 Project Grant from the Arts Council of New Zealand: to initiate the High Street Project Gallery Space, Christchurch.
Selected Publications
Moving Still
Essay by Dr Jan Bryant
Published 2007, Auckland, NZ
LA Botanical
Essays by Tessa Laird and Joyce Campbell
Published 2007, Los Angeles, USA
Brittle City: Cellars and Towers
Essays by Julainne Sumich and Joyce Campbell
Published 2006, Palmerston North, New Zealand
Dead Ringer
With Essays by Gwynneth Porter and Robin Stoney
Published 2003, Auckland, New Zealand
Dirty Pixels
With Essays by Stella Brennan and Chris Barker
Published 2002, Auckland New Zealand
Contingency of Vision
With essays by Peter Shand and John Davison
Published 2001, Nelson, New Zealand
Deep Down
With essays by Hanna Scott and Mark Von Schlegal
Published 2001, New Plymouth, New Zealand
The Tomorrow People
With an essay by Tessa Laird
Published 2001, Christchurch, New Zealand
Contemporary New Zealand Sculpture: Themes and Issues
by Pricilla Pitts, Photography editor Gill Hanley,
David Bateman Ltd 1998, Auckland New ZealandÂ
Every Day: the 11th Biennale of Sydney,
Artistic Director Jonathan Watkins,
Published 1998, The Biennale of Sydney ltd., Sydney Australia
Art Now: The First Biennial review of Contemporary Art
Exhibition curator Christina Barton, editors Jillian Lloyd and Matere Ruawai, Published 1994, Wellington New Zealand, Museum of New Zealand, Te Papa Tongarewa
Selected Articles
Ollman, Leah. Unlikely survivors in the mean city, Los Angeles Times Calendar, June 1, 2007
Laird, Tessa. Ciao, Auckland, New Zealand Listener, September 2-8, 2006
Heydon, Mike. Crystal Clear, Manawatu Standard, March 22, 2006
Dibble, Fran. Crystalline Towers, Manawatu Standard Friday March 31, 2006
Peterson, Marianne. Cal State Exhibit to Feature Science, Art, Today’s local News,Wednesday 1 February 2006
Clifford, Andrew. Bio-art a Perilous pursuit, The New Zealand Herald, Wednesday September 22, 2004
Laird, Tessa. Quicksilver Girls, The New Zealand Listener, October 9 2004
Goddard, Dan R. Into the Void, San Antonio Express News, Wednesday July 30 2003
Scott, Hanna. Dead Cert, the After-effects of Dead Ringer, The New Zealand Journal of Photography #51 Winter 2003
Bywater, Jonathan. Exhibitions: Auckland, Art New Zealand #107, Winter 2003, Art New Zealand
Birch, Mark. Kiwi ingenuity, Daily News, 3 July 2001
Cheng, Scarlet. A Human Dimension to New Media, Los Angeles Times Calendar, December 16, 2001
Anna Gibbs. Parasites, In the Everyday: Critical and theoretical speculations on the 11th biennale of Sydney, 1998
Laird, Tessa. An Art Less Ordinary, The Listener, 31 October 1998
Summich, Jullianne. Joyce Campbell's 'logic of behavior' for Log 5: Science Fiction, Science Fact March 1999
Shepheard, Carol. "Bodies in Question" seminar review, Art in Asia and Pacific Vol.3 No.3 1996
Daley Peebles, John. Auckland exhibitions, Art New Zealand Winter 1995
Catalogue essay. Art Now: The first Biennial review of Contemporary Art The Museum of New Zealand, Wellington, 1994
Say, Jane. "Art Now", Art New Zealand Spring 1994
McKenzie, Stuart. "Shop at MONZ," The Listener 9 July 1994
Barton, Christina. "Making a difference: Suffrage year celebrations and the visual arts in New Zealand" Artlink volume 14, No.1 1994
Paton, Justin. "Christchurch: Simon Endres, Joyce Campbell, Art New Zealand No. 68 Spring 1993
McAloon, William. "Waves of Style; the Vogue and the Vague" Catalogue essay for Vogue/ Vague: New Sculptors/New Sculpture C.S.A. Gallery, Christchurch 1992